Ibsen Theatre
 

BIBLIOGRAPHY



Archer, William. William Archer on Ibsen: The Major Essays, 1889 - 1919. Edited by Thomas Postlewait. Westport: Greenwood Press, 1984.

Ball, David. Backwards And Forwards: A Technical Manual For Reading Plays. Forward by Michael Langham. Carbondale: Southern Illinois University Press, 1983.

Beckerman, Bernard. Dynamics of Drama. New York: Drama Book Specialists, 1979.

Bentley, Eric. "Henrik Ibsen: A Personal Statement." In Ibsen: A Collection of Critical Essays, ed. Rolf Fjelde, 11-17. Englewood Cliffs: Prentice-Hall, Inc., 1965.

Brandes, Georg. Henrik Ibsen: A Critical Study. London: MacMillian, 1899.

Brustein, Robert. Reimagining American Theatre. New York: Hill and Wang, 1991.

Bryan, George B. An Ibsen Companion. Westport: Greenwood Press, 1984.

Burchardt, C. B. Norwegian Life And Literature: English Accounts And Views, Especially in the 19th Century. Westport: Greenwood Press, 1974.

Chamberlain, John S. Ibsen: The Open Vision. London: Athlone Press, Ltd., 1982.

Durbach, Errol. Ibsen The Romantic: Analogues of Paradise in the Later Plays. Athens: The Universtiy of Georgia Press, 1982.

Grene, David. Reality And The Heroic Pattern: Last Plays of Ibsen, Shakespeare, and Sophocles. Chicago: The University of Chicago Press, 1967.

Haugen, Einar. Ibsen's Drama: Author To Audience. Minneapolis: Minnesota Press, 1979.

Heiberg, Hans. Ibsen: A Portrait of the Artist. Coral Gables: University of Miami Press, 1969.

Hornby, Richard, Tallahassee, to Jefferson Lindquist, Richmond, 29 July 1991. Transcript in the hand of Jefferson Lindquist, Richmond, Virginia.

________. Script Into Performance: A Structuralist Approach. New York: Paragon House Publishers, 1987.

Ibsen, Henrik. From Ibsen's Workshop. Edited and introduction by William Archer. Translated by A. G. Chater. New York: Da Capo Press, 1978.

________. The Complete Major Prose Plays. Translated and introduction by Rolf Fjelde. New York: New America Library, 1965.

________. The Plays Of Ibsen, vol. 4. Translated and introduction by Michael Meyer. New York: Washington Square Press, Pocket Books, 1986.

________. Six Plays by Henrik Ibsen. Translated and introduction by Eva Le Gallienne. New York: The Modern Library Press, 1957.

Jorgensen, Theodore. Henrik Ibsen: A Study In Art and Personality. Westport: Greenwood Press, 1978.

Kerans, James E. "Kindermord and Will in Little Eyolf." In Modern Drama: Essays In Criticism, ed. T. Bogard and William Oliver, 192-208. Oxford: Oxford University Press, 1965.

Koht, Halvdan. Life Of Ibsen. New York: Benjamin Blom, Inc., 1971.

Loshak, David. Munch. New York: Mallard Press, 1990.

Lowenthal, Leo. "Henrik Ibsen: Motifs in the Realistic Plays." In Ibsen: A Collection of Critical Essays, ed. Rolf Fjelde, 139-157. Englewood Cliffs: Prentice- Hall, Inc., 1965.

Meyer, Michael. Ibsen: A Biography. New York: Doubleday & Company, 1971.

MacFarlane, James. "The Structured World of Ibsen's Late Dramas." In Ibsen And The Theatre, ed. Errol Durbach, 131-140. New York: New York University Press, 1980.

Rose, Henry. Henrik Ibsen: Poet, Mystic and Moralist. New York: Haskell House Publishers, Ltd., 1973.

Smiley, Sam. Playwriting: The Structure of Action. Englewood Cliffs: Prentice-Hall, Inc., 1971.

Thompson, Alan R. The Dry Mock. Berkeley: The University of California Press, 1948.

Unruh, Delbert. "Postmodern Issues In Action Design." Theatre Design and Technology 26, no. 2 (Summer 1990).

________. "Postmodern Issues In Action Design." Theatre Design and Technology 26, no.4 (Fall 1990). New York: USITT.

Valency, Maurice. The Flower and the Castle: An Introduction to Modern Drama. New York: Grosset and Dunlap, 1963.

Weinstein, Arnold. "Metamorphosis in Ibsen's Little Eyolf." Scandanavian Studies 62, no. 3 (Summer 1990): 293-318.

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